archive
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Opening Speech by director Ruby Hoette
Q: Are study years one and two intertwined?
A: Both study years of the main departments share the same space and follow the same seminars. There isn’t a strict divide between the years across each department.
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Readings by the students of Critical Studies
An Outline of Things, Sounds Cartography
Q: Is it possible to apply without a bachelor in arts?
A: Yes, anyone with a bachelor's level degree or equivalent can be accepted. A convincing portfolio and practice related to art and a clear idea of what you would like to achieve in two years are as important.
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Short Worlds for Halftime - A reading
The Sorcerer
Kitchen Conversations
femmecore
Propositions for post-disciplinarity
Propositions for post-disciplinarity
] bracket
An Outline of Things, Sounds Cartography
Presentation by Anja Groten, director of Design
Future Crystals of the Anthropocene
Una película sin película A film without a film
Nuet är där mina kroppar möts (Presence is where my bodies align)
Q: Is there an age limit for candidates?
A: There is no age limit.
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Tennis
Presentation by Jerzsy Seymour, co-director of Dirty Art Department
The Most Glorious Day On Earth
Trapped in a glaze like in fossilised amber
Q: Do different departments collaborate?
A: There are some occasional collaborative workshops and seminars across departments, but generally each department follows their own trajectory. There are also a number of student initiatives which collaborate across departments.
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Si puedo y es facíl, estoy cansada
Access modes for encountering large industrial bodies
Mushroom Dreams
st Anthony's Wilderness
Supplement to the Future Dictionary
Si puedo y es facíl, estoy cansada
Presentation by Fine Arts director Judith Leysner, coordinator Nagaré Willemsen, and tutor Elio J Carranza
They said- ‘I’ was never an island
Tools for Dispersion and Techniques for Accumulation
Pod
The girl who run into me (Touch(ed))
Sow reaper
Metabolic Intuition
Screaming in a similar key
FOGIIV
Arita Porcelain Industry 有田の陶磁器産業
Presentation by Ludwig Engel and Julian Schubert, directors of Studio for Immediate Spaces
Dream of desert land x1
Fabulous Future
If you knew time as well as I do
Food Architecture
Scenario 02
Neighbours of Zero
find me a house
Xenoliths
Presentation by Lara Khaldi and Gertrude Flentge, directors of Lumbung Practice
Q: Can I apply to all temporary departments?
A: Temporary departments are two-year programs developed according to urgent world issues. The two new temporary departments starting in 2023 are Artificial Times and Planetary Poetics which are open for applications.
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PLANETARY POETICS

The unfolding ecological catastrophe is one of the most pressing challenges of our times. The devastating consequences of economies based on extraction and exhaustion can be found in dilapidated lands, rivers, seas and oceans, forests, animals, plants and peoples. Some of the violence of the ecological crisis occurs slowly and out of direct sight, gradually altering our environment, climate and bodies. Most of the violence however, has been playing out for centuries already, on a local scale, directly affecting millions of people and their livelihoods.

How do we arrive at a critical and imaginative position with regard to this crisis and its long history that casts dark shadows far beyond the present? Which artistic strategies can be employed by cultural practitioners to engage and intervene? How to connect to the struggles and the movements of people who have been enduring and resisting these neo-colonial forces on a daily basis? How to learn from and with, and embrace alternative visions for this planet, beyond relations of property and extermination?

Through the temporary masters programme Planetary Poetics, hosted in collaboration with Framer Framed and organised in collaboration with Futuros Indígenas (Mexico) and Atelier Picha (DRC), we want to connect different social ecologies across the globe and experiment with new possibilities of collective imagination, creation and intervention.

CURRICULUM

The two-year masters is divided in four semesters and consists of a programme of individual and group tutorials, a series of collaborative workshops organised with partners in Mexico and the Democratic Republic of Congo and a biweekly programme of guest lectures and artist talks. Classes are usually scheduled on Monday and Tuesday.

Over the course of two years participants of the programme are expected to develop their own individual artistic research projects in conversation with colleagues and (guest) tutors. The projects will be publicly presented on various occasions, including the graduation show.

Through different series of collaborative workshops participants in Amsterdam will enter in conversation and collaboration with cultural practitioners and activists working in different geographies that are at stake. Collectively we will employ different strategies to connect, exchange, and direct the collaboration. The workshops will include individual and group exercises and the contact with the partnering institute and the participants takes place over the internet. Research – artistically, theoretically and historically – will play a crucial role. The acknowledgment of the different positions we embody is of importance here, as one's position might pose different questions or demand different actions. Research methods might take the form of interviews, field trips, staged court cases, documentary filmmaking or experiments with poetic imagination. Outcomes will be publicly presented at Framer Framed and at the partner locations.

An important element of the masters will be the biweekly public programme of guest lectures and artist talks where international thinkers, artists and activists will explore key concepts of the ecological crisis, as well as historical processes that have brought the crisis about. We will go beyond the hegemonic monoculture of Northern epistemologies and include questions of climate justice, land restitution and reparations, reproductive justice and constellations of co-resistance.

Students will work collectively as well as individually around some of the questions the environmental crisis provokes. Together we will explore ways to artistically intervene and respond to the crisis and we will experiment with different self-organised strategies to create networks of solidarity beyond existing power dynamics. Our students have a background in different disciplines, including art, performance, writing, moving image, design, curating and activism. We will take a bottom-up approach to learning, thereby giving space to the different types of knowledge that each of the participants brings to the classroom.

Q: What does a studio look like?
A: All departments, apart from Fine Arts, share a communal space. The Fine Arts students have individual studios within their department space (first years share one studio space, and second years have one to themselves).
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Graduation project
The Window
Monarchy Energy
Peach Tree, Ambiguous
The Apple Pie
Input Party
Explained
p.i.a. services
Your Future
Q: Is it possible to apply to more than one program?
A: Yes, you must indicate this on the digital application form.
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A smokers theatre
gut
Konzert fur Spielzug und schwimmbad
 wait, I thought I was supposed to be a generous cook in a greasy kitchen - true stories told
Presentation by Unsettling
Presentation by Liza Prins, Sandberg and Rietveld Research
workshop
workshop
Choir of Tongue
Asian Union
Open Sandberg 21
Asian Union