archive
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Opening Speech by director Ruby Hoette
Q: How many students are selected for the master of fine arts?
A: We accept around 12 students, per department, per year.
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Readings by the students of Critical Studies
An Outline of Things, Sounds Cartography
Propositions for post-disciplinarity
femmecore
An Outline of Things, Sounds Cartography
The Sorcerer
Absence, twice removed
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Kitchen Conversations
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Propositions for post-disciplinarity
Q: Is there an age limit for candidates?
A: There is no age limit.
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Presentation by Anja Groten, director of Design
Una película sin película A film without a film
Nuet är där mina kroppar möts (Presence is where my bodies align)
Future Crystals of the Anthropocene
Tennis
Q: Are study years one and two intertwined?
A: Both study years of the main departments share the same space and follow the same seminars. There isn’t a strict divide between the years across each department.
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Presentation by Jerzsy Seymour, co-director of Dirty Art Department
escribas modernas
Bursting Bubbles- Another Truth
Untitled
all rights _reserved. © 2011.
badroom
The Most Glorious Day On Earth
Q: What are the expenses of living in Amsterdam?
A: In addition to the tuition fee, costs vary depending on your personal situation and individual choices. Nevertheless, it's advised to count on at least € 1.130 living expenses per month.
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Out of Service
The Most Glorious Day On Earth
Spatial Installation
Presentation by Fine Arts director Judith Leysner, coordinator Nagaré Willemsen, and tutor Elio J Carranza
Pod
Fluffed Occupations
Cruel Summer Camp
Arita Porcelain Industry 有田の陶磁器産業
The Onset Of Fever
Pet(s)
Metabolic Intuition
Tools for Dispersion and Techniques for Accumulation
Sow reaper
Presentation by Ludwig Engel and Julian Schubert, directors of Studio for Immediate Spaces
Q: What does a studio look like?
A: All departments, apart from Fine Arts, share a communal space. The Fine Arts students have individual studios within their department space (first years share one studio space, and second years have one to themselves).
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Fabulous Future
Vavanguèr
find me a house
Do What You Love
Ghostly Voices, Noise and Static
It Had Something To Do with The Telling Of Time
Dream of desert land x1
Neighbours of Zero
Food Architecture
Presentation by Lara Khaldi and Gertrude Flentge, directors of Lumbung Practice
Q: Do different departments collaborate?
A: There are some occasional collaborative workshops and seminars across departments, but generally each department follows their own trajectory. There are also a number of student initiatives which collaborate across departments.
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Q: What’s the duration of the study?
A: All programs are full-time two-year courses. You earn 60 ECTS points per year (European Credit Transfer System).
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Notes to Future Students — Student Pia Jacques De Dixmude in conversation with Public Sandberg

F FOR FACT

At a moment in time when facts are framed as fantasy and feelings equal truth, F for Fact investigates different forms of knowledge through an artistic lens.

But what counts as knowledge? What’s the difference between truth and meaning? How are narratives shaped and by whom? What defines authenticity and what do claims of authorship and copyright mean today for the arts?

F for Fact is a two-year course where participants work on individual and collective projects in which the factual, philosophical, or tangible world is the point of departure. The programme revolves around the interaction between knowledge and imagination and how to discover new forms of documentary storytelling. We look at the difference between fiction and truth, fact and belief systems, and fake news and honest fantasies by working with a number of different sources. In short: we critically revisit the past and speculate about possible futures.

F for Fact has a strong relation to the outside world. At this school of second thoughts we playfully explore the nature of personal, factual, embodied, digital, and spiritual information. We actively connect with other domains through official and unofficial institutions related to the sciences, performing arts, architecture, and society itself. Being an interdisciplinary master’s programme, the research around a subject and the form in which it is shared are closely related.

Reading, creative writing, and open discussions about hopes, fears, and dilemmas of any nature are a part of F for Fact from the beginning of the first year. The thesis prepared in the second year will be a natural follow-up to this.

A strong collective consists of a diversity of individuals who each bring their own particular qualities and identity, and see individual authorship as a matter of taking responsibility rather than a naturally expected position.

Are you permanently distracted due to a curious nature? Do you have a critical eye and an open mind? Are you an unconventional thinker and maker with a proactive nature? You’re warmly invited to apply!

Truth has always been stranger than fiction. It still is.

Konzert fur Spielzug und schwimmbad
Q: Are the studies collective or individual?
A: Everyone follows their own trajectory and graduates individually. Frequently there are collective projects and collaborative workshops and seminars.
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gut
 wait, I thought I was supposed to be a generous cook in a greasy kitchen - true stories told
A smokers theatre
Presentation by Unsettling
Presentation by Liza Prins, Sandberg and Rietveld Research
workshop
Open Sandberg 21
Asian Union
Choir of Tongue
workshop
Asian Union