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Opening Speech by director Ruby Hoette
Q: Is it allowed to take my dog to school?
A: Unfortunately, dogs or other pets are not allowed, except for guide dogs or similar.
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Notes to Future Students — Student Anastasija Kiake in conversation with Public Sandberg

CRITICAL STUDIES

The Critical Studies Department offers a two-year Master’s program in critical thought and inquiry. The program provides an open, interdisciplinary environment for the development of an independent research practice while giving students a grounding in contemporary critical theory. We are especially interested in forms of study and inquiry at odds with traditional academic frameworks, including practice-led research and experimental writing.

Over the course of their studies, participants work on a series of semester-long research projects, which are shared and discussed in the context of regular research seminars. In tandem with this, students are supported in the development of a writing practice through a series of biweekly seminars with a focus on experimental approaches to critical and creative writing. In weekly theory seminars, organised in small series and taught by different tutors, students are provided with an introduction to the key strands in contemporary critical thought and continental philosophy.

Besides these three core components of the course, the curriculum includes a range of lectures, events, and workshops in which specific themes are addressed in depth with visiting speakers or affiliated researchers. Additionally, participants are provided with the support and resources for the development of collaborative projects related to their research, such as public events, publications, or screenings.

Presentation by Anja Groten, director of Design
Tennis
Nuet är där mina kroppar möts (Presence is where my bodies align)
Future Crystals of the Anthropocene
Una película sin película A film without a film
Q: Is there an age limit for candidates?
A: There is no age limit.
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Presentation by Jerzsy Seymour, co-director of Dirty Art Department
badroom
st Anthony's Wilderness
Shuffering and Shmiling
Si puedo y es facíl, estoy cansada
Spatial Installation
Supplement to the Future Dictionary
Hosting Air
Mushroom Dreams
Untitled (ongoing night light series)
Si puedo y es facíl, estoy cansada
Presentation by Fine Arts director Judith Leysner, coordinator Nagaré Willemsen, and tutor Elio J Carranza
Goodie Bags
Fluffed Occupations
Metabolic Intuition
Creamsicle Dress with Drippy Collars
The Middle Station
The Onset Of Fever
The Siblings
51.050057 N, 2.197191 W
Sunkiss
Screaming in a similar key
They said- ‘I’ was never an island
Presentation by Ludwig Engel and Julian Schubert, directors of Studio for Immediate Spaces
Dream of desert land x1
In Medias Res
It Had Something To Do with The Telling Of Time
Graduation project
Do What You Love
Bucolic Gang
Vavanguèr
Fabulous Future
Xenoliths
MATTER WITHIN MATTER WITHIN MATTER A Triptych to Saint Bride
If you knew time as well as I do
Presentation by Lara Khaldi and Gertrude Flentge, directors of Lumbung Practice
Q: How many students are selected for the master of fine arts?
A: We accept around 12 students, per department, per year.
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Q: What does a studio look like?
A: All departments, apart from Fine Arts, share a communal space. The Fine Arts students have individual studios within their department space (first years share one studio space, and second years have one to themselves).
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Your Future
Q: Are the studies collective or individual?
A: Everyone follows their own trajectory and graduates individually. Frequently there are collective projects and collaborative workshops and seminars.
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Peach Tree, Ambiguous
Graduation project
Input Party
p.i.a. services
The Apple Pie
Explained
Monarchy Energy
The Window
gut
A smokers theatre
Konzert fur Spielzug und schwimmbad
Q: Is it possible to apply without a bachelor in arts?
A: Yes, anyone with a bachelor's level degree or equivalent can be accepted. A convincing portfolio and practice related to art and a clear idea of what you would like to achieve in two years are as important.
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 wait, I thought I was supposed to be a generous cook in a greasy kitchen - true stories told
Presentation by Unsettling
Presentation by Liza Prins, Sandberg and Rietveld Research
Asian Union
workshop
workshop
Asian Union
Open Sandberg 21
Choir of Tongue