archive
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Opening Speech by director Ruby Hoette
Q: Do different departments collaborate?
A: There are some occasional collaborative workshops and seminars across departments, but generally each department follows their own trajectory. There are also a number of student initiatives which collaborate across departments.
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Readings by the students of Critical Studies
An Outline of Things, Sounds Cartography
The Sorcerer
] bracket
Propositions for post-disciplinarity
Q: Is there an age limit for candidates?
A: There is no age limit.
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Short Worlds for Halftime - A reading
Propositions for post-disciplinarity
femmecore
Absence, twice removed
Kitchen Conversations
Presentation by Anja Groten, director of Design
Q: Can I apply to all temporary departments?
A: Temporary departments are two-year programs developed according to urgent world issues. The two new temporary departments starting in 2023 are Artificial Times and Planetary Poetics which are open for applications.
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Tennis
Una película sin película A film without a film
Future Crystals of the Anthropocene
Nuet är där mina kroppar möts (Presence is where my bodies align)
Presentation by Jerzsy Seymour, co-director of Dirty Art Department
Bursting Bubbles- Another Truth
Spatial Installation
Access modes for encountering large industrial bodies
Untitled (ongoing night light series)
Shuffering and Shmiling
Trapped in a glaze like in fossilised amber
The Most Glorious Day On Earth
badroom
Untitled
Out of Service
Paraquita de barrio
Presentation by Fine Arts director Judith Leysner, coordinator Nagaré Willemsen, and tutor Elio J Carranza
The Onset Of Fever
Cruel Summer Camp
Fluffed Occupations
Sow reaper
Arita Porcelain Industry 有田の陶磁器産業
The girl who run into me (Touch(ed))
Pod
Exposure 2020
51.050057 N, 2.197191 W
Screaming in a similar key
Presentation by Ludwig Engel and Julian Schubert, directors of Studio for Immediate Spaces
It Had Something To Do with The Telling Of Time
Vavanguèr
Do What You Love
Neighbours of Zero
Q: Are the studies collective or individual?
A: Everyone follows their own trajectory and graduates individually. Frequently there are collective projects and collaborative workshops and seminars.
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Bucolic Gang
If you knew time as well as I do
Every Object tells many stories
prop nr. 1
Presentation by Lara Khaldi and Gertrude Flentge, directors of Lumbung Practice
Q: How many students are selected for the master of fine arts?
A: We accept around 12 students, per department, per year.
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Q: What does a studio look like?
A: All departments, apart from Fine Arts, share a communal space. The Fine Arts students have individual studios within their department space (first years share one studio space, and second years have one to themselves).
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Notes to Future Students — Student Pia Jacques De Dixmude in conversation with Public Sandberg

F FOR FACT

At a moment in time when facts are framed as fantasy and feelings equal truth, F for Fact investigates different forms of knowledge through an artistic lens.

But what counts as knowledge? What’s the difference between truth and meaning? How are narratives shaped and by whom? What defines authenticity and what do claims of authorship and copyright mean today for the arts?

F for Fact is a two-year course where participants work on individual and collective projects in which the factual, philosophical, or tangible world is the point of departure. The programme revolves around the interaction between knowledge and imagination and how to discover new forms of documentary storytelling. We look at the difference between fiction and truth, fact and belief systems, and fake news and honest fantasies by working with a number of different sources. In short: we critically revisit the past and speculate about possible futures.

F for Fact has a strong relation to the outside world. At this school of second thoughts we playfully explore the nature of personal, factual, embodied, digital, and spiritual information. We actively connect with other domains through official and unofficial institutions related to the sciences, performing arts, architecture, and society itself. Being an interdisciplinary master’s programme, the research around a subject and the form in which it is shared are closely related.

Reading, creative writing, and open discussions about hopes, fears, and dilemmas of any nature are a part of F for Fact from the beginning of the first year. The thesis prepared in the second year will be a natural follow-up to this.

A strong collective consists of a diversity of individuals who each bring their own particular qualities and identity, and see individual authorship as a matter of taking responsibility rather than a naturally expected position.

Are you permanently distracted due to a curious nature? Do you have a critical eye and an open mind? Are you an unconventional thinker and maker with a proactive nature? You’re warmly invited to apply!

Truth has always been stranger than fiction. It still is.

gut
Q: What are the expenses of living in Amsterdam?
A: In addition to the tuition fee, costs vary depending on your personal situation and individual choices. Nevertheless, it's advised to count on at least € 1.130 living expenses per month.
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 wait, I thought I was supposed to be a generous cook in a greasy kitchen - true stories told
A smokers theatre
Konzert fur Spielzug und schwimmbad
Presentation by Unsettling
Presentation by Liza Prins, Sandberg and Rietveld Research
Open Sandberg 21
Choir of Tongue
workshop
Asian Union